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Waterloo Wedding Photographer - Photojournalist Kitchener, Toronto, Guelph, Muskoka

Taylor Roades Photography

 

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Hi and welcome to the blog of Taylor Roades Photography. I am Taylor…a photographer, a writer, and avid traveller. I photograph incredible couples and their weddings, my travels and other stories that catch my eye in the Guelph/Toronto area (my home!) and all over the world.

 

 

 

 

 

 

 




I like to think I have an great internal navigation system. I refuse to use a GPS because I feel more oriented looking up directions, following a map, searching for landmarks. As I drove into Collingwood Ontario at the beginning of May this year and saw Blue Mountain rise above the highway I knew I was headed the right way to Britt and Mike’s wedding.

 

 

Brittney and Michael were married at the summit of the mountain with a view over the village like no other. The band played and a dance party was had on a beautiful day at Blue Mountain Resort. A quick look at their wedding photos below with a full story of photographs to come next week.

 

 

Blue Mountain Wedding Photographer
collingwood ontario wedding photo of bride's ring. blue mountain wedding photos. ontario wedding photography.wedding photographer taylor roadesblue mountain wedding photographer blue-mountain-collingwood-wedding-photo-0068 blue mountain resort collingwood ontario wedding photograph. blue mountain wedding photographer mountain wedding inspiration blue-mountain-collingwood-wedding-photo-0228 wedding portraits of bride and groom. mountain wedding inspirational portrait of bride and groom.

 




 

“Brittany you look beautiful” Brittany’s mom Sue spoke in almost a whisper.

 

“…and you were mine first…”

 

 

Brittany’s eyes lock with Sue’s in the hustle of wedding preparations, and they both smile that same closed mouth, lips turned up, quiet smile, that because of genetics or possibly a lifetime together mirrors the other. I can only wonder what Sue is thinking; if she is remembering tying Britt’s shoes before her first day of kindergarden, or if she thinks back to when she waited up on the couch sipping tea as Brittany broke curfew at sixteen. Maybe my imagination is limited by where I believe my own mother’s thoughts might go on her daughter’s wedding day.

 

 

The day rolled on and together the girls headed up the mountain where Brittany would meet Mike, and above the city of Collingwood they would start life together. Sue stood in front of the couple at the start of the ceremony, and like any mother would spoke from the heart.

 

 

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mother's reading at wedding ceremony in coolingwood ontario photograph

 

Happy Mother’s Day.

collingwood wedding mother of the bride>Blue Mountain Wedding Ceremony Photos




The arrival of spring always feels immaculate and pristine. A spotless perfection full of hope and optimism, and fresh possibilities. I could spend several serene hours simply being content with this stranger we call the sun – letting it cover, lift, and warm me from within. This type of peace only comes during the first signs of this season.

 

We anticipate it for months and once it comes, it consumes us. It’s presence never leaves our minds and we rest with it, inhale it, inflate our hearts with it. This conscious appreciation fades with time and we become accustomed. We forget about the dead of winter. The dreariness, the chilled stillness, the dark and depression.  The shiver melts out of our bones and pours from our bodies as we accept this newfound sunlight. We drink the humidity and dance in warm rains. Then the buds come, and we embrace them. We love them like we love our favorite melodies, but once they’ve bloomed into flowers, we neglect to notice. We walk by, spoiled and ignorant, and viewing the world with summer soaked eyes. An over saturation of goodness turns into an immunity to the acknowledgement of beauty.

 

Spring is only sincerely appreciated after an honest winter.

 

 

Just as peace can only be fully understood after war, or joy can only be truly experienced after great sadness, we must shake hands with the worst in order to grasp the best. Despite the desire to flush our minds of past pain, we must allow remnants of the cold, violence, and anguish to remain, simply as a reminder. It is only then that we are able to value the flowers and entirely experience the season they represent.

 

Spring is here. The sun is shining today, and will again tomorrow. Birds are chirping happily and the warm wind is all embracing. Allow your porous soul to sponge up this season, and refuse to wring it dry.

 

-Author Unknown.

 

Portland-oregon-photo-mt-tabor-1portland oregon photograph of a spring daisy

[Portland Oregon, Mt Tabor April 2013]

 

 

Mary and Joel are good friends of mine and photographers from Portland Oregon, they showed me their city, their spring, and let me loiter in their life last weekend as we attended Collaborations for a Cause, a conference for photographers and NGOs. I owe them the biggest thank you, and am waiting to return the favour on the east coast. The weekend was the end of a two week trip west, and now back in Guelph, Ontario I’m buying memory cards that I should have bought tax free in Oregon, and getting ready for weddings to start. Many photos to come this summer, many to make, many to share.

 

 

 

adelante caminante

 

 

 




“I was halfway across America, at the dividing line between the East of my youth and the West of my future.”

On the Road – Jack Kerouac

 

 

 

travel photography of road trip by Taylor Roades west-web-48 west-web-33west-web-12 west-ward-0038
west-web-76west-web-44 SALMON-ARM-1west-ward-0060

 

 

 




It was a nice day so I decided to walk. I live exactly 12 minutes from downtown  ample time for four songs at a brisk walking pace. So since the nice days are few and far between in Guelph in April I set my iPod and packed my laptop up – like I do most days, ready to set up shop at a different coffee hub each day. Planet Bean, kinda industrial, good lighting – if you are not in the mood to talk to anyone this is the place of the day. Red Brick Cafe, where I normally meet couples and has good working chairs, or sometimes The Ox because it has a massive window for good working light, where the main table is long and always semi-full with a family dinner feel. The original idea was to not become a regular at any particular place, but in practice ended up making me a familiar face at five or so different places. When you hibernate for the winter this is what happens.

 

Anyways I can get almost all my errands done downtown so other than a constant flow of caffeine, the bank, post office, kwik copy and now my favourite framing people Pond’s Photo are all in the vicinity. This winter I’ve made my first real attempt at printing, framing and soon hanging my travel work – I have a few projects on the go here and I decided to start, like with everything else in my life, documenting it.

taylor's first print

[24mm, Canon 5D - Picture Size 12'x18']

 

 

Things I’ve Learned.

1. Aspect Ratios

I’ve always been aware that 8x10s were cropped and that 4×6 or 2×3 was the ratio crop the camera shot, but my final products are normally albums where I design from a blank slate and I’ve always cropped how the photo to look best in a spread. Printing was a different story, and the size options overwhelmed me. So of course, I made multiple trips downtown with sizes scribbled in my notebook, matte sizes, frame sizes trying to figure out what size I needed and then the crop of the individual photo.

 

To clear things up.

 

Camera Shoots:

a 2×3 ratio photograph.

 

Regular Print Sizes

  • 4×6 – 1.5
  • 5×7 – 1.4
  • 8×10 – 1.25
  • 10×13 – 1.3
  • 11×14 – 1.27
  • 10×20 – 2
  • 16×20 – 1.25
  • 20×24 – 1.2
  • 20×30 – 1.5

The numbers beside the rations are “length multiplication factor” what that means after my-learning-by-doing-crop-failure of the first round of printing is that 4×6 print includes the entire photograph a camera takes, or to think in another way the long side is 1.5 times longer than the shorter side.

Prints will be cropped if that ratio is different and in generally enlarged to fit that ratio. In my travel documentary work where I often shoot wider angle lenses, the last thing I wanted was to lose part of the frame to a crop so after some 5×7 test prints I now know I need only.

4×6

6×9

8×12
10×15
12×18
14×21
16×24
18×27
20×30

 

 

2. Clean hands, clean mattes.

 

3. Matte vs. Double Matte

I haven’t got into the custom colour mattes, but I have had been able to test out double vs single matte and black/white. To lift the glass further away from the photo I think reduces glare and adds a sense of depth, and just like this website I do like the clean white background.

guelph-4

 

4. Monitor Calibration – I read an in-depth article on why you shouldn’t worry too much and this may shock some but I did a little more research on monitor calibration, made sure my files were formatted properly and didn’t calibrate at all. On later comparison my prints at three different print shops all matched up pretty spot on. All the pro print labs I dealt with printed all the details in the blacks and darker areas of the photo which I was worried might be lost and the tones were right for the type of paper I was experimenting with.

 

 

5. Paper;

So many options. Weight; For all my framed prints I used 192gsm thick but not a board by any means.

With a white fine art matte paper. I saw and touched textured prints, but I like the simple smooth look. I found the textures distracting in the light framed but that is just my own opinion.

 

 

and for everyone that has asked: Framed Prints are for sale by custom order, please email me taylorroades@gmail.com for details. 

 

 

 

 




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